Jennifer Frautschi Violin
Two-time GRAMMY nominee and Avery Fisher career grant recipient Jennifer Frautschi has garnered worldwide acclaim as an adventurous musician with a remarkably wide-ranging repertoire. As the Chicago Tribune noted, “violinist Jennifer Frautschi is molding a career with smart interpretations of both warhorses and rarities.” Highlights of Ms. Frautschi’s 2013-14 season included performances with the St. Paul Chamber Orchestra and Tucson Symphony, as well as return engagements with the Alabama, Arkansas, Belo Horizonte (Brazil), Chattanooga, Phoenix, and Toledo Symphonies and the Rhode Island Philharmonic. She returned to DaCamera of Houston and the Helicon Foundation in New York for concerts on all-gut strings with period instruments. This summer she will perform the Four Ives Sonatas with Jeremy Denk at the Ojai Festival and make appearances at the La Jolla, Santa Fe, Moab, Bridgehampton, and SaltBay Chamber Music Festivals.
Her discography includes the Stravinsky Violin Concerto with the Philharmonia Orchestra of London, conducted by the legendary Robert Craft, and two GRAMMY-nominated recordings with the Fred Sherry Quartet, of Schoenberg’s Concerto for String Quartet and Orchestra and the Schoenberg Third String Quartet. Her most recent releases are a recording of Romantic Horn Trios, with hornist Eric Ruske and pianist Stephen Prutsman, and the Stravinsky Duo Concertant with pianist Jeremy Denk. With pianist John Blacklow she will release two discs on Albany Records this year: the first devoted to the three sonatas of Robert Schumann; the second an exploration of recent additions to the violin and piano repertoire by contemporary American composers Barbara White, Steven Mackey, and Stephen Hartke.
Born in Pasadena, California, Ms. Frautschi began the violin at age three. She was a student of Robert Lipsett at the Colburn School for the Performing Arts in Los Angeles. She also attended Harvard, the New England Conservatory of Music, and The Juilliard School, where she studied with Robert Mann. She performs on a 1722 Antonio Stradivarius violin known as the “ex-Cadiz,” on generous loan from a private American foundation.