Tim Feeney photo 2

Tim Feeney, Percussion

Composer/performer Tim Feeney frequently collaborates with experimental musicians and improvisers including the trio Meridian, with percussionists Sarah Hennies and Greg Stuart; pianist Annie Lewandowski; cellist and electronic musician Vic Rawlings; vocalist Ken Ueno, saxophonist Andrew Raffo Dewar; banjo and electronic musician Holland Hopson; and many others.

Within this community, Tim has presented work at experimental spaces throughout the United States, such as the Red Room in Baltimore, Boston’s Institute of Contemporary Art, Knitting Factory and The Stone in New York, as well as the Center for New Music and Audio Technologies at the University of California, Berkeley, Stanford Art Museum, Mills College, Princeton University, and Dartmouth College. He has recorded for the experimental Caduc, Accidie, Full Spectrum, Rhizome.s, Sedimental, homophoni, Audiobot, Soul on Rice, lildiscs, and Brassland/Talitres labels.

He was a founding member of the quartet Sō Percussion, a member of Boston’s Callithumpian Consort, and performed with Rinde Eckert in his Pulitzer-nominated Orpheus X, directed by Robert Woodruff and staged at the American Repertory Theater, the off-Broadway Duke Theatre on 42nd Street, and the 2008 Hong Kong International Festival.

Most recently, he has performed in quartet and large ensembles with composer and saxophonist Anthony Braxton, including the 2016 Big Ears Festival, and recording for the Tri-Centric Foundation for release in 2017.

Tim is currently Assistant Professor of Percussion at the University of Alabama.